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From: EMI CLASSICS

Paul McCartney Release New Classical Work 'Ecce Cor Meum'

Paul McCartney releases his new full-length work of classical music Ecce Cor Meum
through EMI Classics on September 26th, 2006. Ecce Cor Meum (Behold My Heart)
is Paul's fourth classical album since his first released in 1991, The Liverpool Oratorio.

Ecce Cor Meum has been more than eight years in the making and its
origins follow in the historic tradition of composers that have been
commissioned to write music for the world-renowned Magdalen College Oxford.
Paul was specially invited by Anthony Smith (President of Magdalen College
1998 - 2005) to compose something to set the seal on a new concert hall for
the college. His hope was for 'a choral piece, which could be sung by young
people the world over in the same way that Handel's Messiah is.'

Ecce Cor Meum, an Oratorio in four movements, is scored for choir and
orchestra. The text combines both English and to a lesser degree, Latin.
Paul's knowledge of Latin comes from his classical education at The
Liverpool Institute High School for Boys, where he had learnt three
languages by the time he was 12. Paul says: "Not all of this has been
retained over the years as my path went in other directions, but my love of
language remains, and as Latin is known and sung by choirs all over the
world, I felt it would be appropriate to use at times during the piece."

Like many great composers Paul, started with the music and then looked
for a subject that fits. Several ideas for lyrics occurred to him, but they
only gelled when he took part in a concert of John Tavener's music in the
Church of St. Ignatius Loyola in New York. "While I was waiting to do my
bit, I was looking around the church and I saw a statue, and underneath it
was written 'Ecce Cor Meum.' I had done some Latin at school and I always
had a fondness for it. So I worked it out. I believe it means Behold My
Heart."

In November 2001, the first version of Ecce Cor Meum was given its
first preview performance by the Magdalen College Choir, which was
conducted by Bill Ives at the Sheldonian Theatre, Oxford. This was a great
learning experience for Paul. "Eventually I made it all come together
through correcting a lot of misapprehensions -- a lot was learned before
the Sheldonian performance, but a lot of it was learned afterwards. An
experienced choral composer knows that children can't be given huge
sustained passages; they don't have the energy and the stamina. At the
Sheldonian there was some quite hard stuff that I didn't realize because
I'd done it on the synthesizer (which has endless stamina!), but during
that first performance, the solo treble couldn't come on for the second
half -- I think I'd used him up in the first half! These are things that
people either learn because they are taught them immediately at the first
lesson or you learn through the years, so it was good to go through the
piece a lot of times, and we took out huge choral sections and gave them to
the orchestra. If it had been a Beatles song I would have known how to do
it. But this was a completely different ball game."

Produced by John Fraser, Ecce Cor Meum was recorded this year at the
legendary Abbey Road Studios between March 13th and 17th. It was performed
by EMI artist Kate Royal (soprano); The Boys of King's College Choir,
Cambridge; The Boys Of Magdalen College Choir, Oxford and The Academy Of
St. Martin In The Fields conducted by Gavin Greenway.


SOURCE EMI Classics
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From billboard.com

McCartney Returns To Classical Music On New Album

July 31, 2006, 11:25 AM ET

Momentarily stepping away from rock'n'roll, Paul McCartney will release his next classical project, "Ecce Cor Meum," Sept. 26 via EMI Classics. Eight years in the making, "Ecce Cor Meum" (Latin for "Behold My Heart") will be McCartney's fourth classical album since 1991's "The Liverpool Oratorio."

The piece was commissioned by former Magdalen College president Anthony Smith in hopes McCartney would create "a choral piece which could be sung by young people the world over in the same way that Handel's Messiah is."

The album, an Oratorio in four movements, is scored for choir and orchestra, with lyrics that combine English and Latin. It was given its first preview performance in 2001 by the Magdalen College Choir, which was conducted by Bill Ives at the Sheldonian Theatre, Oxford.


"Ecce Cor Meum" was recorded at London's Abbey Road Studios between March 13-17; among the artists that contributed to the sessions were EMI artist Kate Royal, the Boys of King's College Choir, Cambridge, the Boys of Magdalen College Choir, Oxford and the Academy Of St. Martin in the Fields, conducted by Gavin Greenway.

Jill Menze, N.Y.
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Linda's spirit in new McCartney work
September 27, 2006


Paul McCartney has revealed he has been working on his new classical piece, which he says contains the "spirit" of his late wife, Linda, since before she died in 1998, and credits it with helping him through his grief.

Launching Ecce Cor Meum ( Behold My Heart), a choral work that combines English and Latin lyrics and will be performed for the first time at the Royal Albert Hall in London next month, he said he had been unable to work on it for a time after losing her to breast cancer.

The former Beatle wrote the piece after being invited by Anthony Smith, then the president of Magdalen College, Oxford, to compose something for a new concert hall at the institution. "I started it when Linda was alive. Originally we went to Magdalen College together, so it has a lot of my feelings for her in it," he says.

"When she died it stalled me. I took a year or so before I could get back into it. The interlude in the middle is a particularly sad melody and is what got me going again.

"Her spirit is very much in this. It would have been her birthday [on Monday], so it's very appropriate," says McCartney, 64, whose most recent rock release, Chaos and Creation in the Back Yard, was hailed as a return to form last year.

McCartney married Linda Eastman, a photographer, in 1969, shortly before the Beatles split, and she was a prominent member of his first post-Beatles project, Wings.

For a time after her death, he says, he was too grief-stricken to create music: "I just couldn't do anything really. I was just grieving. I gradually got back into it; I just sort of wrote my sadness out."

He says the new album, recorded at the Abbey Road studios made famous by the Beatles, is also one of his most personal.

Asked about the end of his second marriage to Heather Mills after their high-profile split in May, McCartney says: "I'm doing fine thank you. It's OK." The couple, who are locked in divorce negotiations, have a two-year-old daughter, Beatrice.

In a career after the Beatles which has also included flirtations with painting, poetry and ambient electronica, he waited until 1991 to embark on his first full classical project when a collaboration with the composer Carl Davis led to the release of the semi-autobiographical Liverpool Oratorio. After its premiere in Liverpool Cathedral, the piece garnered largely positive reviews and topped the classical charts on both sides of the Atlantic. However, 1997's Standing Stone and Working Classical, a later collection of shorter pieces, were less well received.

McCartney says classical music is universal and he hopes the new album will reach out to a new audience. "It doesn't just tell people who are musically educated. It tells everyone. It reaches us. So that's one of the exciting sides of this project, to write instrumental music that can reach your heart.

"I hope to reach new people all the time and I hope my current fans will like it too."

The Guardian
http://www.smh.com.au/news/arts/lindas-spi...9036539915.html
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